The Word Is Murder: The bestselling mystery from the author of Magpie Murders – you've never read a crime novel quite like this
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One of the most entertaining mysteries of the year. It’s also one of the most stimulating, as it ponders such questions as: Which is of greater interest to the reader, the crime or the detective? And: Is the pencil truly mightier than the butcher knife?” — Wall Street Journal
The Word Is Murder: A Novel (A Hawthorne and Horowitz Mystery) The Word Is Murder: A Novel (A Hawthorne and Horowitz Mystery)
During the 1980’s Anthony Horowitz started creating work for film as well as television, as he begun to expand upon his output. Writing for children’s shows such as ‘Dramarama’ and ‘Robin of Sherwood’ he started to create a name for himself within the field. It was then later on that he wrote the screenplay for the 2006 film ‘Stormbreaker’, whilst he’s also set to write the new Tintin film coming out too. Winning a number of awards throughout the years, Horowitz is not without his fair share of critical acclaim either. Expanding upon the mediums and formats he writes within, such as comic-books as well, this looks set to continue in the years to come. Creating more work all the time, his appeal is growing both critically as well as commercially, as he gains more success.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.
Anthony Horowitz - Book Series In Order Anthony Horowitz - Book Series In Order
While I can’t pretend to know the author or what he is like, there’s a feeling of him trying to explore his own inner world by laying it all out on paper, and ultimately for the reader, this ends up making for quite a few interesting interactions between the two, some amusing, others thought-provoking. In the end, I think few can mix reality and fiction in as appealing a manner as Horowitz did here. With its unorthodox protagonist, clever plotting, brilliantly imperfect characters, and escalating sense of urgency and intrigue, THE WORD IS MURDER is an instant crime classic that will keep you reading as fast as you can… one of the best and most compulsively readable mysteries of the year. Hugely satisfying on every level." ( Written by Sime) A perfect detective novel in a unique style complete with an excellent twist!" ( Life Has a Funny Way of Sneaking Up On You)
Publication Order of Sherlock Holmes Books
On its face, this blend of details about Horowitz’s life, work, and personality, with the creation of the fictional detective and murder is at risk of being unbearably self-centred. It’s a pleasant surprise that it is not. Horowitz does mention points of his career and projects that he has worked on as a means of entry to some parts of the story (and occasionally anecdotally), but it comes in the form of interesting tidbits, rather than bragging. There’s even a scene including a few famous directors that is quite hilarious. THE WORD IS MURDER is an Anthony Horowitz novel, starring himself as a Watson-figure to fictional detective Daniel Hawthorne, in a murder investigation that blends reality and fiction in a masterful way, while telling a solidly plotted mystery.
The Word Is Murder: The bestselling mystery from the author
When sorrows come, they come not single spies, but in battalions. ― Anthony Horowitz, The Word Is Murder The Ciphers of our Amusement He doesn’t just plop himself down in the middle of it, but rather establishes himself and even a certain past he already had with Hawthorne. This goes a real long way in helping us forget who Horowitz is in reality and to simply accept him as the Watson of this duo.Six hours after widowed London socialite Diana Cowper calls on mortician Robert Cornwallis to make arrangements for her own funeral, she’s suddenly in need of them after getting strangled in her home. The Met calls on murder specialist Daniel Hawthorne, an ex-DI bounced off the force for reasons he’d rather not talk about, and he calls on the narrator (“nobody ever calls me Tony”), a writer in between projects whose agent expects him to be working on The House of Silk, a Holmes-ian pastiche which Horowitz happens to have published in real life. Anthony’s agreement with Hawthorne to collaborate on a true-crime account of the case is guaranteed to blindside his agent (in a bad way) and most readers (in entrancingly good ways). Diana Cowper, it turns out, is not only the mother of movie star Damian Cowper, but someone who had her own brush with fame 10 years ago when she accidentally ran over a pair of 8-year-old twins, killing Timothy Godwin and leaving Jeremy Godwin forever brain-damaged. A text message Diana sent Damian moments before her death—“I have seen the boy who was lacerated and I’m afraid”—implicates both Jeremy, who couldn’t possibly have killed her, and the twins’ estranged parents, Alan and Judith Godwin, who certainly could have. But which of them, or which other imaginable suspect, would have sneaked a totally unpredictable surprise into her coffin and then rushed out to commit another murder?